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THRESHOLDS

Nocturnus

Tech/Extreme Prog Metal


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Nocturnus Thresholds album cover
3.73 | 17 ratings | 3 reviews | 41% 5 stars

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Studio Album, released in 1992

Songs / Tracks Listing


1. Climate Controller (7:51)
2. Tribal Vodoun (5:18)
3. Nocturne in Bm (Instrumental) (2:51)
4. Arctic Crypt (4:19)
5. Aquatica (7:18)
6. Subterranean Infiltrator (5:36)
7. Alter Reality (4:28)
8. Gridzone (6:06)

Total Time 43:47

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- Dan Izzo / Vocals
- Mike Davis / Guitars
- Sean McNenney / Guitars
- Chris Anderson / Bass
- Louis Panzer / Keyboards
- Mike Browning / Drums

Releases information

Released through Earache Records in December 1992
Re-released by Earache in 2000.

Thanks to UMUR for the addition
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NOCTURNUS Thresholds ratings distribution


3.73
(17 ratings)
Essential: a masterpiece of progressive rock music(41%)
41%
Excellent addition to any prog rock music collection(35%)
35%
Good, but non-essential (12%)
12%
Collectors/fans only (12%)
12%
Poor. Only for completionists (0%)
0%

NOCTURNUS Thresholds reviews


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Collaborators/Experts Reviews

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
4 stars "Thresholds" is the 2nd full-length studio album by US, Florida based progressive death metal act Nocturnus. The album was released through Earache Records in December 1992. Thereīs been a few changes to the lineup since the release of the debut album "The Key (1990)". Bassist Jeff Estes was asked to leave alledgedly because of problems with alcohol abuse and in addition to that Earache Records put pressure on Nocturnus to find a "real" frontman. Up until then drummer Mike Browning had also taken care of the vocals. Alledgedly Earache Records promised Nocturnus that they would sponsor a promotional video for one of the songs from "Thresholds" if Mike Browning would step down from his vocal duties (they ended up making a video for "Alter Reality"). Apparently the record company felt that the drummer/vocalist constallation was a problem. Therefore former Tortured Souls vocalist Dan Izzo was brought in for the recording of "Thresholds". New bassist on the album is Chris Anderson. The ususal suspects are guitarists Mike Davis and Sean McNenney, keyboard player Louis Panzer and drummer Mike Browning.

Curiously enough the lineup changes havenīt affected Nocturnus sound notably. New vocalist Dan Izzo could easily have been mistaken for Mike Browning (which I initially did), and to be honest the bass isnīt that audible so the change of bassist doesnīt mean much to the sound either.

The music on the album is a continuation but also a progression from the semi-progressive death metal sound of "The Key". While "The Key" was split between old school occult themed death metal and progressive/futuristic sounding sci-fi themed death metal, "Thresholds" takes the band fully into the sci-fi themed progressive direction. "Thresholds" is without a doubt Nocturnus most progressive album. The shift in style would leave some members unsatisfied and the disagreements over musical direction would have disastrous consequences for the band, but more on that later. The music on "Thresholds" is quite unique death metal and the addition of a permanent keyboard player in the lineup really gave Nocturnus their own sound back in the early nineties. The opening track "Climate Controller" pretty much sums up all thatīs interesting about the album. The multible rythm changes, heavy and fast riffing (pretty melodic at times), loads of screaming shredding guitar solos, atmospheric keyboards, growling vocals and those sci-fi themed lyrics. The album is overall much more melodically and compositionally sophisticated than "The Key". Take it with a grain of salt though as "Thresholds" is still at itīs core old school US death metal. The band experiment more than enough to be considered progressive though. Some of the transitions and odd time signature parts might seem a bit abrupt and primitive by todayīs standards but back then Nocturnus were considered a very technical act. And talking about technical skill thatīs certainly one of the assets of this album too. Those guitar solos are just killer IMO. They come out of nowhere and demand attention. The tasteful use of keyboards on the album really enhance the sound and Iīm pleased that they took this approach instead of plastering their sound in synth layers.

The sound quality on the album is a bit of a disappointment. Itīs too muddy and lacks a bit of power if you ask me. The sound production on the debut was much better.

After the release of "Thresholds" the band went on a succesful European tour. When they returned home the above mentioned disagreements over musical style meant that Mike Browning was fired from the band. Not before Louis Panzer, Sean McNenney and Mike Davis had ensured the rights to the Nocturnus name behind Mike Browningīs back though. Needless to say that this manuevre created lots of animosity between Mike Browning and the rest of the band. Nocturnus would continue a couple of years without Mike Browning before disbanding but this was the end of the classic Nocturnus lineup. "Thresholds" stands as a testament to the creative and progressive ideas within Nocturnus and while I generally enjoy "The Key" sligthly more than I enjoy "Thresholds", the latter should probably be considered the bandīs crowning achivement. Especially seen from a progressive point of view. "Thresholds" is definitely not a flawless album but itīs got charm and loads of innovative ideas and a 4 star (80%) rating is fully deserved. A truly unique and classic Tech/ Extreme Prog Metal album.

Review by Warthur
PROG REVIEWER
4 stars On their second album Nocturnus leaned even harder on the sci-fi aspects of their debut, dialling back the death metal Satanism but keeping the technical death metal virtuosity intact. With a clean production style and carefully judged keyboard work from Louis Panzer emphasising the spacey aesthetic, it might not have as gripping a concept as The Key but it's far from a major musical step backwards. As an evolution of Nocturnus' sound, it hints at the directions that the band might have gone in were it not for an extended hiatus and lineup fragmentation derailing them for much of the rest of the 1990s.

Latest members reviews

2 stars Their debut album The Key is an excellent and genre setting album. Was it a flash in the pan, though ? Threshold takes Nocturnus into a schience-fiction landscape. The occult stuff was left behind, in other words. The brutality and the Morbid Angel leanings from The Key was also parked. In ... (read more)

Report this review (#293988) | Posted by toroddfuglesteg | Tuesday, August 10, 2010 | Review Permanlink

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