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Bass Communion

Progressive Electronic

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Bass Communion Bass Communion (I) album cover
3.38 | 35 ratings | 5 reviews | 9% 5 stars

Good, but non-essential

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Studio Album, released in 1998

Songs / Tracks Listing

1. Shopping (1:24)
2. Drugged (13:35)
3. Sleep Etc (13:29)
4. Orphan Coal (10:02)
5. Drugged (24:55)

Total Time: 63:25

Line-up / Musicians

- Steve Wilson / all instruments

Releases information

Third Stone CD - STONE 036CD
Reissued in Dec 2001 on Hidden Art - HIART9

Thanks to Philippe Blache for the addition
and to ProgLucky for the last updates
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Tonefloat 2011
$27.84 (used)
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Tonefloat 2013
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Dark Matter Distribution 2007
$410.15 (used)
Loss (CD w/DVD)Loss (CD w/DVD)
Soleilmoon 2006
$49.98 (used)
Litany [Vinyl]Litany [Vinyl]
To.Fl 2010
$17.87 (used)
Ghosts On Magnetic TapeGhosts On Magnetic Tape
Tonefloat 2009
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Imports 2014
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Bass Communion (180G/Gatefold/Bonus Track)Bass Communion (180G/Gatefold/Bonus Track)
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BASS COMMUNION Bass Communion (I) ratings distribution

(35 ratings)
Essential: a masterpiece of progressive rock music(9%)
Excellent addition to any prog rock music collection(54%)
Good, but non-essential (23%)
Collectors/fans only (9%)
Poor. Only for completionists (6%)

BASS COMMUNION Bass Communion (I) reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
1 stars Ok this provokes me to a degree were I get angry. How can you get away with releasing this kind of music ? Who would buy this kind of mindless noise ?

Well my respect for Steven Wilson just went down a bit. Now I might not like all his experiments in Porcupine Tree and I think some of them keeps the Porcupine Tree albums from being really great, but those experiments are nothing compared to this ambient noise.

This is only for people into really ambient music. There are no drums on the album, and it seems to me Steven Wilson has pushed the repeat button on his keyboard because nothing really happens during the way way waaaayyy too long songs. This is a torture I promise you. This is a school example of how some musicians use their fame to produce questionable output to make money. Or maybe Steven Wilson really likes this music ? How many Porcupine Tree fans have been lured into purchasing this repetitive trivial noise ? IŽll tell you how many. Many enough for Mr. Wilson to release 9 Bass Communion albums so far. Yes you read right! 9 albums.

This is by far the worst album I have reviewed since I started reviewing albums on the Prog Archieves site. Stay away and donŽt waste your time or money like I did this has absolutely nothing to do with Porcupine Tree or any other Steven Wilson related project.

Review by colorofmoney91
4 stars Bass Communion (I) is a beautiful, experimental minimalist electronic album by the prolific Steven Wilson. I have no real care for the music of Porcupine Tree or any of Steven Wilson's other, more prominent projects, so I was hasty in deciding to listen to this album. I'm glad I did, because this album is hypnotizing in the most beautiful way.

The music on this album is very minimalist and largely ambient at its core, which is something that I usually tend to dislike, but Bass Communion (I) is a fantastic merging of the electronic and the organic elements that can be used to created music. Light ambient drones on the synthesizer intermingle with recorded authentic tribal-like drums and manipulated violin to create atmosphere that is incredibly earthy and comprehensible. The only parts of any of these tracks that noticeable progress would be the gradual swelling and fading of airy synths that establish the dream-like quality of this hypnotizing album.

Anyone a fan of Brian Eno's ambient albums should definitely give Bass Communion (I) a listen, but again, this album is much more engaging.

Review by Mellotron Storm
4 stars BASS COMMUNION is a side project of one Steven Wilson who I admit is a hero of mine. Heck he loves and grew up on the same kind of music that many of us here are fans of. His IEM project was inspired by Krautrock while BASS COMMUNION was inspired mostly by the electronics of Klaus Schulze and TANGERINE DREAM.Yes he listened to a lot of Krautrock and Electronics in his youth. Some might not know that the music that he plays here is the same music he was making long before PORCUPINE TREE or NO-MAN became his focus.This is all about soundscapes to drift away in, an escape from reality which is what most Electronic Prog is about. Steven said recently in an interview that BASS COMMUNION is "my labour of love, my biggest passion musically these days". So the object here according to Wilson is to use a sound that is either powerful or beautiful or spiritual then find a way to fill a whole space with it while trying to retain the beauty and power of the original sound throughout. This is about filling a room or your mind with this atmosphere so as to take you to a different reality a different place. By the way he has used sounds from both PORCUPINE TREE and NO-MAN songs on this project over the years.

"Shopping" is a short piece with distant sounding synths and static of some sort. "Drugged" is based an a Theo Travis sax melody that is repeated. Synths join in after 2 1/2 minutes and the mood becomes spacey and beautiful. Guitar echoes come in after 9 minutes. "Sleep Etc." opens with faint sounds that build. A dark track that is hard to describe really. It sounds like keys along with people walking on crunchy dry grass and atmosphere too.The atmosphere gets louder and slowly pulses. "Orphan Coal" opens with percussion-like sounds and a vocal sound that echoes in and out quickly. Other filtered sounds join the beat. The voice will continue to come and go.This is cool. A deep sound then joins in after 3 1/2 minutes.The beat and that deep sound stops after 7 1/2 minutes as it becomes spacey. "Drugged" is the 25 minute cloeser. Unlike the earlier version this one is about layering, processing and multi tracking the same sample of Robert Fripp over and over.This is beautiful and spacey throughout as it gets louder around 5 1/2 minutes then settles back around 20 minutes to the end.

This is music for Electronic-Prog fans just like IEM is for Krautrock lovers. Others should listen at their own risk.

Review by Aussie-Byrd-Brother
SPECIAL COLLABORATOR Rock Progressivo Italiano Team
4 stars Without even realizing it at the time, Steven Wilson's debut `Bass Communion' album was my very first electronic album. I was right into my Porcupine Tree/Wilson love phase, eagerly snapping up anything the man put his name to, knowing that I would at least find something interesting with this release. Upon my initial listen almost 15 years ago, I had absolutely no idea what to make of it. I had never heard anything like it, and it barely even resembled music to my ears. It sounded like snippets of inane noise, throwaway scraps hurled together with no sense of direction. It took me some time before it all fell into place, at a very vulnerable time in my life where I seemed to suddenly relate to the cold, isolating and lonely introspection of the album.

Comprised of experimental short music samples, looped slight percussion, hypnotic drones and static, the pieces stretch into long, drifting and floating electronic soundscapes. Some reference points might be Tangerine Dream and Klaus Schulze, but where those artists frequently make you think of deep space and alien worlds, Wilson's work is far more personal and human. This worryingly makes the album much easier to relate to, even if that means confronting feelings and emotions you'd rather push aside or avoid altogether.

After `Shopping's brief introductory crackle of static, `Drugged' has cut up pieces of Theo Travis' sax blowing in the distance, tormenting and howling in it's sadness. It frequently sounds quite flat and tuneless, giving the piece an uneasy sound. Wilson's somber organ slowly enters and wraps around the piece, Theo's sax becomes more reflective and mournful. Both slowly unwind and drift along for several minutes, heightening the sense of solitude and loneliness. Eventually a slowly strummed guitar enters, backed with an icy veil of ghostly synths. This track is later reprised at the end of the album in a longer 25 minute haunting ambient piece more along the lines of the above mentioned Klaus Schulze and Tangerine Dream.

Cold glistening electronic fingerprints dance like raindrops around the spooky `Sleep, etc'. With it's unsettling mix of running water, thunderstorms, static and occasional harsh electronics, it makes your mind feel like it's moving in slow motion. Relentlessly predatory and threatening, definite horror movie soundtrack work here.

`Orphan Coal' has strangely wooden percussion, some seemingly comprised of voice samples, that blur into a hypnotic maze of maddening alarm-like loops, electronic washes that phase in and out, and brief heavy bass lines. Deeply fascinating and, although still uneasy, it's a little bit of a respite from the gloom of the rest of the album.

It's easy to understand the wildly varying opinions and reviews for this album. As much as it's made a huge impression on me over the years for it's emotion and depth, I also understand those who would find it inane, tedious and devoid of musical value altogether. I can listen to it one time and not connect with it at all, then the next be completely overwhelmed. It's the sort of album that guarantees you wont ever listen to it the same way twice.

The CD comes with five alternate covers, each with a very different abstract or surreal image associated with the five pieces on the album. I've always used the fourth one - `Orphan Coal', which has a photo of a deserted bridge and lonely city streets at night. This striking image perfectly captures the isolation and sadness of the album, and it compliments this emotional work for me perfectly.

A lonely, haunting and thoroughly immersive album I can relate to and connect with from time to time, sadly during my unhappier and lonelier moments. But it's albums like this that can make you truly feel human, that in moments of personal reflection force you to confront yourself. I hope more adventurous listeners might take the time to see how they respond to this powerful work.

Four stars.

Latest members reviews

4 stars So it seems that this album is looked down upon by many, but I think it is a great album. I first saw this album (in iTunes) a little while after I got my first PT CD. I listened to the 30 second previews, and I didn't really know what to think of it. At the time most of the tracks just sound ... (read more)

Report this review (#203491) | Posted by Zwaken | Wednesday, February 18, 2009 | Review Permanlink

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