A SCEPTIC'S UNIVERSE

This band is not classify in anyone style,those guys come from other dimention.What music!Complex,intrincate,heavy but very clear arrangements.The singer are very competent and acrobatic to sing that astonishing sound.What shame, there are only one cd!I hope so much that others like this come to enjoy us.Very Highly recommended!

This album is a must-have for any fan of twisted technical progressive metal. It has a lot of jazz/fusion influences while maintaining the harshness and heaviness of heavy metal. Spiral Architect play unbiased, interesting music, not limited to one style - you'll hear growls, clean singing, acoustic guitars, brutal parts, lighter parts... Everything on one CD. In the beggining, I haven't really understood their music, but as I listened to the album more and more times, I was surprised by what this album has to offer. The technical abilities of these guys are not to be questioned - they CAN play. The only bad thing about the album is its duration - only 43 minutes, but with music as interesting as this, you can easily get over it.

A side note - the Japanese version of the album contains a bonus track - a Fates Warning cover of "Prelude to Ruin."

I got this album in the mail about two years after my friend (who is now my fusion band's drummer) showed it to me. I did not like it back then because I was into stuff like Greenday and all that, and I thought this had bad timing (lol!) and was too cluttered (wtf?).

But after a while I finally got into prog, and decided "hey, I should give these guys a listen again, I might like them now", I downloaded 2 mp3s from their site (www.spiralarchitect.com), and i loved it. I dont know how i could ever have not liked them. So I ordered away for the cd, and surely enough I was amazed! This is one of the best cds I own, It is super-technical, nice, high paced songs, and stunning virtuosity.

The only problem with this cd is that it's only 43 minutes! too short! but it's still a must buy and really worth the money.

I wrote an article for them at www.gepr.net .

This record evokes the uniqueness of CYNYC'S FOCUS, an extraordinary performance, revealing the technical capabilities of the players, that actually is the least thing to say, beacuse the compositions are quite complex and "fusion-like" with a lot of reseamblance of Mr. Pastorius and Mr. Colaiuta. So, the only weak point in here is the vocals, you know? a very straight metal outfit, remembering the late Michael Kiske or very early Maiden things, however is "heavy metal" and the treatment had to be with vocals, but nothing else. If this record wouldn't feature vocals, it surely might be featured in the fusion or progressive counter at Tower records. So, enjoy, beacuse the music is very hard to swallow, you need to digest it at least twice to understand the real power of the melodies.

Yeah Baaaaaby. This-is-it!! A masterpiece for sure. Unlike Meshuggah, Martyr, Theory in Practice and many other bands in this category, Spiral Architect can be separated from the pact by the fact that they have keyboards and use them to great effect in their very challenging and aggressive style of music. Also the fact that singer (Oyvind Hageland) never uses the now cliché and certainly over-used "Death Vox" that dominates/permeates this type of music. That's not to say his voice is silky smooth, oh no, not by a long shot. Oyvind's voice is as intense as it is powerful. Staying mostly in the mid-range level and occasionally reaching stellar peaks and low valleys. He has a way of conjuring up a menacing inflection to songs that are almost evil in a cold, computer, Si-Fi kind of way. Now, onto the drumming. Oh my f*$$ing god!! Asgeir Mickelson is over the top (which is exactly what these songs need). As a drummer myself of 25 years and having this CD for the last 4, I still have trouble understanding exactly what Asgeir is doing at times. This is progressive metal drumming of unbelievable precision, accuracy, mathematics and finesse. Bassist Lars Norberg is all over the neck of his instrument punctuating staccato drum fills and ascents with an almost jazz fusion style but laying down the bottom end when it's called for (which aint much at that). He is also a main songwriter. Co-writing 6 of the 9 songs and sole writer to their best song (at least in this reviewer opinion) "Insect" There are too guitarist, Steinar Gundersen and Kaj Gornitzka and they create a guitar orchestra of sorts. Never getting in the way of one another, instead they intertwine through and around each other in a very unusual and dementedly musical way. Spiral Architect do a lot of what the Cynic did in 93. That is.. To sometimes put jazz elements into the instrumental sections of their songs. High tech-jazz/metal anyone!!!?? With tempo changes galore, more time signature changes then the average musician can comprehend and some truly great song writing. Spiral Architect are a band taking Tech. Metal to uncharted territories. Unfortunately it has been 5 years and there's not even a hint of a new album anytime soon, if at all, again like Cynic, one CD seems to be all we'll get. Oh, by the way, Sean Malone. The great bass player for Cynic guest's on one song "Occam's Razor" playing the Chapman Stick. Steve S.

I've never heard any prog like this...the virtuosity of every member in this well-oil machine and the mindblowing composition of each song are both enough to have this go down as one of the world's best prog. albums.

. I 've been listening to prog music since i was a little boy, so i'm very open minded when it comes to prog music, but this particular album is just too much... its like an improvisation, there is no melody at all. track after track is the same thing, its like a very long song; none of them has its own identity. Although this album is quit unique and technical (i have to give them that), In my opinion it lacks one of the most important things in any prog album... and it is FEELING.

.I do not recomend this album to those who like to relax when listening to music, but if you are one of those who like their brains over-exited, you might like this one.

Whether naturally or for novelty, Spiral Architect have created perhaps the most technical metal album that I've ever heard. The highlight of the album really is the rather unique bass playing. The overall tone of the instrument really helps to separate the bass player Lars from others, and the almost improvised sounding bass lines provide for an excellent listening experience. The band members do some really amazing things with their instruments. But besides the overwhelming complexity, there's really nothing to this album. If I've ever heard a lifeless album this is it. It's like Spiral Architect wrote it never expecting a human to listen to it. A machine listening to this would be very impressed, as am I when I listen to what they do with their instruments. However, there's no point to any of it, nothing really memorable.

They certainly have the "how" of playing their instruments down, but I think they need to do some searching and find the "why".

Well, what happened if you see a body of woman with 2 heads, arms that do not belong to the body or another anomaly, a Frankenstein?, you'll think: That's wrong!!! Why is it wrong? Because there's something that doesn't fit in the body, right?, Well, this album is something like that: the sound is good, there's good change of rhythm, and all that you want in an album, but there's one thing that doesn't fit: the voice!!!!!! the voice doesn't belong to this body, is wrong, doesn't fit, destroy the harmony!!! It could be a great album, but it fell down with this voice, it's sad.

I cannot give a unique rate, because it is necessary to split the music from the voice in reviewing this album. I've chosen three stars just because it is the intermediate one.

THE MUSIC: 5 stars Despite it could be easy to judge "cold" or "mechanic" this kind of music expressivity, we cannot deny we have the opportunity to listen an absolute masterpiece in terms of instrumental techinque. Every prog-metal band must kneel in face of these virtuosisms, time acrobacies, alien riffs, solos. Nothing is never the same: when you believe you are finally listening a "normal" or "square" time, it changes, you have no rest from the beginning to the end. It's hard to believe that this music is played by human beings. I must admit that this sequence of mathematic algorithms is a little bit far from the common concepts of "musical inspiration", "song" or "feeling", but IMHO it is worth to listen it at least to know how far musicians' technique can get. but... THE VOICE: 0 stars The voice is the more unfit thing I ever heard in my life. I don't talk about the singer's techinque, unquestionable, but about his actual "ability" to ruin the whole album. It is irritating, out of place and... present everywhere! Listen to understand. Someone write to the band praying to play instrumental music!

Conclusions: for the ones who aprpreciate the pleasure of music techinique, this album could be a real masterpiece of the last decades, but it's really hard to avoid listening the voice and so enjoy the instrumental parts. But you can try.

There are two kinds of metal bands who play with an insane amount of technical ability. Those who are intent on melody as well as technicality and those who just pile on the technicality, no matter how terrible it sounds. Spiral Architect's lone effort falls into the latter category. It's like the guys in the band got together and decided, "Hey, we've got some decent song pieces. Let's smush them all together and see how it sounds!" and put what came out on an album. Oh, they layered some crappy vocals on top of it first. Then they put it on album. Ugh. Unless you want to have a laugh at how horrible and unmelodic this is, I wouldn't touch it. Try some Gordian Knot if you want what this band should've been doing.

A leader in the field of technical progressive metal established itself on this album. But what exactly is the purpose of all of this? I think, these guys can play, no doubt about that, but what is the purpose to do what they do, other than to be labeled perhaps the most technical band in the world?

I think of this band, and this album, like I think of many of the "top guitar players" today. Like your Michael Angelo's and George Bellas's. Yea, sure, they've got a lot of talent, and I give them major kudos for the work they've spent mastering their instrument.

Unfortunately for many of these players, they haven't mastered music, which is what I am trying to judge.

To listen this band is a experience from excessive virtuosity, without a doubt nothing I could be attributed to them as far as the interpretation that is brilliant if it doubts, but without a doubt until certain point they exaggerate because the point of this disc is the virtuosity, have exciting short whiles without a doubt but they would have if it is that they return to make something calmer or of plane not sing since that to my to seem not a good combination with the type of speed and aptitudes of the musicians, in general is a good disc, but for which they feel elitist and they want to know bands that apparently only, are one more a band of the progressive rock single metal that in fast metal suit, without a doubt also it is necessary to make notice that it is not easy to listen but once caught no longer presents/displays nothing new single much speed, methodical and apparently mathematical emulating complex calculations.

What can I say about this album.... I can understand the mentality of it's detractors, but at the same time I want to pity them for not being able to enjoy what I consider to be such a masterpiece of progressive music. This music is not about that catchy chorus that you hum along to, or touchy feely melodies that get you all warm and fuzzy. This music is about pure, unapologetic chaos delivered in mind numbing doses of frenetic technical mastery. When you listen to this album, you are either going to cringe and turn it off, or your jaw is going to hit the floor in amazement. Take a guess which one I am... The bass playing courtesy of Lars Norberg is nothing short of amazing. If you focus your concentration on the bass alone, which is remarkably easy due to the crystal clear production, you'll still have enough complexity to keep your brain working overtime. The guitar lines are fascinating in their technicality and at times beautiful...but don't lose your focus or you'll miss it! The drumming is excellent and manages to flow with the dizzying music quite well, never playing second fiddle to the other musicians. I will admit that I don't know many people who truly enjoy this album on every level...some hate the onslaught of technicality, or some hate the vocals. In recommending this album, all I can say is you may be one of those people who doesn't connect with it and I can understand...it's not a very accessible album. But for the off chance that you will love this album as completely as it's obsessive fans (like me) you can't afford to not listen to it. Therefore I feel perfectly fine with giving this album 5 stars. There is nothing else quite like it.

As I am trying to collect my thoughts about what to write about Spiral Architect, I can't help but wonder about some rather degrading reviews. Of course, anyone can write anything about anybody as long as it sounds sophisticated enough (or the reviewer, for that matter), but to judge a band of this caliber by two stars would be in my mind an act worthy of offending anyone who apreciates music.

This band, or to be more exact, the musicians in it, is so far beyond excellence that not just me but many others are still trying to grasp what this project is all about. One good advice that was mentioned on the album cover - this is really not a music for faint hearted. Music on this creation was taken to much higher level than anyone can really anticipate. It shocks with it's force and it's atypical structure. Take the 'Cloud Constructor', for example. The complexity of the four minds playing together, resulting rather in biggest killer closing I've ever heard, is a food for thought here.

Usually, in most of bands, there is always a one or two weaker players who are filling the space for the virtuoso guitar musician, for example. Stratovarius comes to mind just of the top of my head. In Spiral Architect, there is absolutely no weak link. Everyone is phenomenaly superb. I challenge anyone who says that this music lacks emotion. I counter with the idea that every note is loaded with THE emotion. It's sort of like us trying to understand the complexity of fastest animal moves that we are not in our wildest dreams capable of, simply because we are not. To the animals performing the split second reactions like attacks or escapes, it is all normal. I compare these musicians to those animals - "normal" playing for them would have most likely been a very boring affair. They are technical, they are fast, they are melodic, they are hard where needed and soft where they feel like it. Some bands like to spread their songs over twenty minutes and I have nothing against that as I love many such creations. However, these guys went the other way - they remind me of a spider's intricacy, speed and hunger for a pray. They are not trying to impress anyone. They are trying to reach new horizons of experimenting with skills they possess and I congratulate them. They have created a musical project that many years from now, listeners will still be trying to decode. I can't wait for their next project. Is it going to eclipse "A Sceptic Universe"? Hard to say. But be ready for another round of real "organized chaos"!

Five stars.....

A Sceptic´s Universe as a classic tech/prog metal album and in my eyes a masterpiece. If you like bands like Atheist, Cynic, Watchtower and Spastic Ink you will probably like this too.

Spiral Architect don´t have death metal vocals like Atheist and Cynic though, so there is a big difference there. The vocal melodies are indeed very beautiful on this album and rather special too. It seems to me that it should be impossible to put vocals to music this technical, but Oyvind Haegeland does a really fine job doing just that. The vocal melodies and his voice sometimes reminds me of early Fates Warning ( first singer) and Buddy Lackey from Psychotic Waltz.

The music is as i mentioned very technical and there a literally hundreds of small riffs in every song. Isn´t this confusing ? You might ask. And yes to start with it is very confusing and not very accessible, but after a lot of spins this album reveals it´s secrets. The riffs become memorable and especially the beautiful vocal lines binds the songs together. I find this much more accessible that for instance Watchtower or Spastic Ink even though they are in the same catagory of insanely technical metal.

My favorite songs are: Excessit, Insect and Fountainhead. If anyone tells you that they can´t differentiate between the songs it´s because they haven´t listened enough ( and many will say this).

I will rank this as a masterpiece of progressive music as I´m having a hard time seeing how anyone can top this in this sub-genre. This one belongs in the hall of Fame with: Atheist - Unquestionable Presence, Cynic - Focus, Watchtower - Control and Resistance.

MASTERPIECE

what more can be said (that is positive about this) other than this release is utterly GODLY! truly the culmination of great talent and the pinnacle of tech metal thus far......everyone is pure perfection, I even love the bass production pushed up in the mix....all other members are exceptional to, but it is about time we hear some bass in the overall mix, and great playing at that, in fact it nearly carries everything along.....those who want to hear more guitar oriented stuff in this vein should search out the Twisted Into Form disc released in '06 (?).....anway, this disc rules and is in my top 5 of all time best tech metal releases ever!

This disc took a few listens for me to really enjoy it. I appreciated it after the first listen, for all of the aforementioned technical reasons but I'm not one for the high register wailing that acts as the wrapping paper for the music. I didn't like that style of vocal work when I was a kid and I still find it less than effective now, however after the third or fourth listen when my brain began to filter out the wannabe Ian Gillan style vocals I found that the album deserved more than just respect. This is a fun bit of music. It's challenging and has some incredibly enjoayble moments. Fountainhead is a spectacular piece of writing, it's really the song that made me give the whole disc a second look. I'm glad I did, this is in rotation in my playlist on a regular basis.

Monstrous, absolutely terrific album from one of the best Progmetal units around, and Spiral Architect have an accessibility through the Dickinsonian vocals of Oyvind Haegeland without ever forsaking their devotion to the rock progressive. Unlike much PM, Lars Norberg's bass is in the higher range and unexpectedly slaps you in the face, while Steinar Gundersen and Kaj Gornitzka's guitars spew completely reliable riffage throughout, reminiscent of Opeth's counter-riffing genius. Haegeland's keyboards are also well-represented as a background color and harmonizer. Influences seem to come from everywhere; Fates Warning, Maiden, Rush, a touch of Priest, but nothing too discernable... just killer sh*t, bro-ham. The band wastes little time-- 'Spinning', very Fusion 'Excessist' with challenging time shifts and variations, and slightly pop 'Moving Spirit'. More jazz flavor for 'Insect', very prog 'Cloud Constructor' opens on a minimal line but turns apocalyptic with great synth/guitar parts, wild harmonies and legions of Christian soldiers, and the fabulous math-metal of 'Fountainhead'.

Pay no mind to the critical whining this CD often attracts. If you're in the market for Tech-metal with some sentiment and melody among the battlements, I don't foresee much disappointment. Aces.

Ok,here we have the most classic example of a love or hate band...Most of the reviewers have rated this album with 5 or 2 stars...My opinion is that the truth always lies somewhere in the middle...SPIRAL ARCHITECT play extra technical prog/jazz metal...and the first influence that comes to my mind is PSYCHOTIC WALTZ at their most technical moments...This exact thought is also supported by the vocals of Oyvind Haegeland who must be a fan of the main vocalist of PSYCHOTIC WALTZ, Buddy Lackey...Of course such bands is almost impossible not to be influenced by the legendary WATCHTOWER which was the first band to play and sound as a jazz metal band...A more technical side of early SIEGES EVEN also come to mind while listening to this disc...

...And it is reasonable that many progheads don't like that kind of music...because what is the whole point of music? In my opinion music -and especially progressive rock which is the one we have chosen- must create feelings and emotions to the demanding listener...And this is not the album to start with if you want feelings,melodies and emotions...By that sense no album of that genre could be considerd as a masterpiece and that is mostly true...On the other hand this is not a disc to simply drop in the ban...These talented musicians have created a music piece where they push their skills and creativity to the upper limits and that's something that can't be passed by...Sure,there are no melodies but after all they have composed songs that anyone can listen to,it's not simply a matter of complexity and showing skills...

I think a 3 star rating is the appropiriate one...Not a masterpice for sure, but an excellent piece for those who like technique,complexity and want to learn something more about the human music skills...Highly recommended for fans of PSYCHOTIC WALTZ and WATCHTOWER, recommended also for prog metal fans in general and some jazz/fusion fans too...Anyone who's in love with the 70's prog rock sound should simply pass by...

Spiral Architect - 'A Sceptic's Universe' 3.5 stars

A technical monstrosity.

So far, out of the all music I have ever heard in my life, this is probably the most technical. Each member of this band is certainly a master of their craft but things go a little overboard with the technicality. There is a constant change of time signatures, tempo's and the like, but sometimes it just gets questionable as why too much.

The best performance by far is the bass work or Lars Norberg. Any fan of the instrument will surely appreciate his work. The bass playing sounds like an improvisation, and the listener can be sure to notice it because he is very loud in the mix, which would make a lot of sense due to his stand out product. Even though the musicians that play on the album are as proficient as can get, the bass playing of Lars Norberg still stands out.

What did not stand out were the melodies. I feel that sometimes they lack the sensibility of playing along the same lines and they let things go out of whack, a result of the technicality just going a bit too far for technical sake. The singer, Oyvind Haegeland, is reminiscent of Iron Maiden's Bruce Dickinson, except being able to obtain a higher pitch in his voice. Much like the instruments, there is only so much of his voice one can take as well.

This release is something that a technical metal fan would love to the fullest. An opposing player to the genre will find nothing but unhappiness. I tend to think that this is a great album, but the instruments start growing apart from each other so much that it becomes too much for the ear. I think Behold.the Arctopus can do the opposite of this. Go crazy and retaining the melodies is what they can achieve with ease. Sadly, this band does not. I would recommend Twisted into Form, co-created by the guitarist from this band, if you indeed loved this release.

I was quite disappointed by this album. A technical monstrousity, really: a stormy chasm of virtuosisms which cut your breath out, really. But how cold! The songs are the most intricate, the sound is heavy, pulsing, dark. Every instrument plays as if driven by madness. All of this is good, but the result is just a cold patchwork of chaotic elements which don't make out an attractive work. The impression is that the band tried to follow the Cynic's lesson, succeeding from a technical point of view, but failing from an artistic one. The sound of the bass pulses over anything, the guitars are just cold as backward sounds. A particular notice needs to be written about the voice: the tone is cold, quite monotone, but the vocal lines followed are very strange and original. This sounds very odd, and makes the record very hard to appreciate, but this mark of extreme originality and audacity is a good thing. I point at two good tracks: Fountainhead and Occam's razor, which features Sean Malone on bass.

This is one of those reviews I coudn't wait to write because i'm so excited about this album. I was really surprised to see how low this was rated but my faith was restored when I saw UMUR's 5 star review. He's the Tech / Metal expert on this site as far as i'm concerned. Anyway the vocals on this album are like a cross between Arch and Lackey (Graves) while the music also reminded me more of FATES WARNING and PSYCHOTIC WALTZ than anyone else. That complex precision of the latter and the grinding guitars and melody from the former. In the liner notes they thank the great Ron Jarzombek and Sean Malone among others. The latter also guests on one track with his Stick. Man Norway has given us so many amazing bands but this one might be at the top of the heap.

"Spinning" is such an impressive opener. So technical and complex. The vocals come in quickly and check out the drumming ! Killer bass 2 minutes in followed by some blistering guitar. A great intense section follows to end it. "Excessit" is intricate with more amazing bass as those grinding guitars come in. I like when it settles a minute in then the grinding guitars return again. Great bass ! I'll be saying that a lot in this review. Check out the guitar after 3 1/2 minutes ! "Moving Spirit" opens with vocals and crisp drumming as the guitars comes in. Some incredible guitar before 2 minutes. Great tune. "Occam's Razor" is a 1 1/2 minute instrumental. Some atmosphere early then Malone come in late with his Stick.

"Insect" is complex yet melodic early. Check out the bass ! Vocals come in and then it gets heavier as it slows down some. A ripping guitar solo before 2 1/2 minutes. A thunderous soundscape before 5 minutes. "Cloud Constructor" has such a good bass / drum intro then it kicks in with a powerful yet slower soundscape with vocals. A calm before 3 1/2 minutes. This is great ! It kicks back in a minute later. So impressive ! "Conjuring Collapse" opens with some nice drumming as the guitar comes grinding in joined by bass. Killer track. The vocal melodies 5 minutes in recall Arch. Great ending too. "Adaptability" is heavy with some outstanding bass as grinding guitars come and go. Riffs 2 minutes in as it settles down and the vocals are almost spoken. It kicks back in with power as the guitar lights it up. "Fountainhead" is the closing track and my favourite. Just an awesome sound before a minute. This is incredible ! Vocals 2 minutes in. Fantastic soundscape here. It settles 4 minutes in with some nice bass then it kicks back in a minute later.

UMUR recommended to me a band called TWISTED INTO FORM which features Kaj one of the lead guitarists on this one. I just checked out a song sample on this site and was promptly blown away. It's on my "to get" list.

What's the point really?

I should preface this review by saying technical metal is one of my favourite genres. Atheist, Cynic, Watchtower, Coroner and Voivod rank among some of my favourite bands. So it is not due to any kind of unfamiliarity that I base my judgements.

This album is a crime against technical metal. It is the definition of what people do wrong in the genre if I were ever asked to describe the bad aspects of technical metal I would simply point out this album. For good bands technicality is a means to an end. Bands like Atheist use technicality as a device to convey their musical message - and as they showed on their Elements album they don't particularly need it to make good music. For Spiral Architect though, the AIM is technicality - it isn't used as any kind of device for making good songs. There are no riffs you can hang onto, there are no parts that stand out or sound good, it's pure chaotic nonsense. Even bands on the higher end of the technicality spectrum such as Behold ...The Arctopus and Spastic Ink have riffs, hooks and catchy parts that make you enjoy a song and want to listen to it again.

I'm not sure why this album was created, surely at some point the people that made this cacophonous mess must have had a point of self-realisation (why the hell are we doing this, does it even sound good?) or perhaps it's just an elaborate practical joke. Regardless if you like avant-garde experiments which seek to be intentionally unlistenable give this a listen, if you like good tech and good song writing then don't even waste a download on it.

Spiral Architect is one of the most intristing bands ever from progressive metal. I don't think that they are Tech/Extreme Prog Metal only prog metal, at least to my ears. I know this album since he was released almost 10 years befor. I must confess this was and at some point still is one of the most intristing and captivating albums ever from my collection. The album released in 2000 named very explicit A sceptic universe is one of the most complex albums I ever heared, in top 10 for sure for the highly complex compositions. Now, I saw that for some this album is a masterpiece for others is a waist of time, because of their unique manner of composing and arrangements, pieces are so complex that sometimes hearts my ears, but overall is a pleasenty album for sure. I like this kind of prog metal, to be complex, maybe some parts are to sophisticated and for that reason they are a little boring, but only in places. Melodicity on this album is almost none, or better said is but in their view, as Spiral Architect want to be, that gives to the album a unpleasent aura for most of the listneres. All pieces are good, two of them are highly recommended : opening track Spinning and Insects, two of the most elaborated in manner of composing and musicaly speaking pieces I ever heared, this guys are simply crazy. Sometimes they reminf me of Watchtower or Fates Warning. The jazzy elements of bass lines interplays simply amazing with the drum chops made by Asgeir Mickelson, great drumer. So, a very good progressive metal album in my view a 3.5 rounded to 4, still not a masterpiece in my ears but worth investigated.

I have only some simple and direct ideas about this exceptional album! Geniality is mostly not understood! Some people are living before their time and age! This is an album made to prove that technical metal,Prog or whatever can produce pure msuical masterpieces! A sceptic's universe is the ultimate ultra technical metal masterpiece!! This album is the most technical album ever made!Something unbelieveble at what level of musicianship some maniacs of technique can achieve their capacities and abilities!It's simply breathtaking from the first note to the last one!Neil Kernon brings,as producer,a note of perfection to an album already perfect from the technical point of view!Sometimes I think that this album deserves at least the status of Cult, as the sensational and unique CONTROL AND RESISTANCE-WATCHTOWER!And it's twice more dangerous than the Watchtower's album!!! Even in 5-10-25...100 years this album will be a refference...AN ICON! I gave 2 times 5 stars to an historical album!10 Stars!! PURE MASTERPIECE FOR ETERNITY!!!

Is that a solo or a tornado?

Spiral Architect is an interesting band. They emerged like a small flame in the intense heat of the mid 90s' "jazz metal" frenzy, where bands like Death, Atheist and Cynic were releasing revolutionary music with the interesting fusion of jazz and technical death metal. Spiral Architect has a very similar style to Elements era Atheist, with an intensely fast and speed driven jazz fusion esque bass and guitar lines, this time with more melodic vocals. The band released a single album, A Skeptic's Universe, in 2000 before disintegrating into oblivion. The band, even with just one, obscure album, has succeeded in leaving a significant mark on the progressive metal world with their interpretation of a brief musical movement.

The album's musical makeup is very similar to much of the jazz metal of the era, with a bit more thrash metal, melodic vocal pieces, and a slightly dissonant guitar feel at points. Although they have obvious influence in the likes of Atheist and Death, the band is still able to break away with a slightly more unique style, fusing more traditional progressive metal, jazz, and thrash metal to make an interesting view on the jazz metal scene. The songs have some really superb points, but others seem like essentially every other jazz metal band of the time period ? fast, intense, technical metal manias with ample shredding and hard post-bop influenced bass lines. Although the music at times seems like nothing special with the slew of bands just like it, it does have a slight attractive quality that makes the cold lines of intense music appealing.

One think I'm really bent on is whether to say I really love the incredible audible, intense bass lines, or say that they're unnecessary. Although I absolutely love the fact that they are on the same aural level as the hissing guitars, some part of me thinks their over-technicality adds some kind of a frigid, inaccessible quality to the music. Although they are "necessary" to make the music have that "jazz" feel, at times they just aren't right for the music. However, I must commend the band for their incredible skill of adding an odd harmony between the tornado off bass lines and the crunching, technical guitar lines. Although at times the crazy frenzy is a little scary, overall the band has done a superb job of crafting a very interesting technical metal album.

Overall, this album, all together, is a very balanced display of technical metal. The band manages to balance being like every other tech metal of the age with having a unique and defining sound, making for a good, but not overly remarkable album. This technical monstrosity has its genius moments, its "that was unnecessary" moments, its moments of almost ironic melodic grace, and its moments of "this is just like every other tech metal band ever," equaling out to a good, but non-essential album. One can find more pleasure with bands like Death, Cynic (especially Cynic), and Atheist. Although this album is in no way bad (it is quite good, in fact), it is no essential addition to a collection, unless the listener wants a more inclusive tech metal collection. 3+ stars.

(5/10)

I'm not sure I'll ever be able to properly make my mind up about this one. My opinion can vary wildly even during a listen, so I'll go somewhere in the middle. The reason is that "A Sceptic's Universe" is pretty much an unremitting maelstrom of technical metal. To call Spiral Architect a 'challenging' band to listen to doesn't even begin to cover it.

Right from the start we get a onslaught of complicated time signatures, which never really lets up, never really lets you get a hold on any song for too long. To me, it sounds like a technical jazz metal extension of Fates Warning/Watchtower, something further emphasised by the vocals. I also have the version of this album with the bonus track, a cover of the early FW classic "Prelude To Ruin", which I think is absolutely brilliant. Maybe because I already know and love the song I can get a handle on it more easily. Its also the only song I can actually remember anything about once it's over.

Obviously the musicianship is outstanding, and this extends to every instrument. The bass in particular is really high in the mix, and a good addition to the sound. It bounces around weirdly with just as much of a technical flourish as the guitar. All the instruments are insanely complicated though. Did these guys ever manage to play this stuff live? God knows how that would have been possible.

At times though, I'm not sure what I'm really getting out of it. The songs can sometimes not even feel like songs, just formless technicality. I'm not sure if it's meant to sound chaotic, or if it's just so complexly structured that I can't decipher what is going on, but either way I am completely lost for large portions of the 'songs'.

In conclusion... I think I like it? Everyone should hear this, at least. Even if you end up hating it (which I can foresee many a typical prog fan doing) then you'll probably have a morbid fascination with the music. If however, you are a fan of Watchtower, Fates Warning, or any Jarzombek or Malone projects, then seek this out right away.

I love this album! I just had to write a review about it. I was surprised to see so many reviews teetering on either side of the spectrum, love or hate, 1 star or 5 star along with many 3 star!

Wow, it's true though. This is THAT kind of album. It's uncompromising. It's special. It's unique and all these things make it truly essential for any progressive metal fan!

This has to be one of my very favourite albums in this genre and it will always stand as a shining beacon of what this genre could produce when the music and only the music is catered to.

Playing technical metal music can be a bit of a risky gamble. While it's often fun to showcase your skills in a more complex and intricate setting, the balance between emotion and technicality tends to be incredibly tough to strike effectively. Sure, bands such as Brain Drill and Trigger the Bloodshed could pull you in with their insane levels of musicianship, but how long will it be until you get bored of pure technicality and brutality alone? How about integrating some atmosphere, or maybe some meaningful interludes to offer some breathing room? Well, one band from Norway was able to create a wonderful experience of both mind-boggling technicality and borderline- beautiful moments of progressive rock bliss; they are known as Spiral Architect.

Not to be confused with the Black Sabbath song of the same name, Spiral Architect were (and are, since they somehow haven't disbanded) a progressive metal band with technical elements similar to Watchtower or Psychotic Waltz. While their music is strictly progressive metal, it's interesting to note that (other than Scariot) every band Spiral Architect are associated with members-wise are involved with Norwegian black metal. Anyway, they ended up gracing the world with only one studio album, A Sceptic's Universe, back in 2000. First of all, I'm not going to beat around the bush with this statement: A Sceptic's Universe is the most musically technical album I've ever heard. More technical than Necrophagist. Or Watchtower. Or Atheist. Those are not statements to take lightly, but the sheer intricacy and complexity of each composition is absolutely mindblowing. Right from the opening track "Spinning," there's often a sense of chaos and frantic energy despite how calculated each passage is; the guitar/bass interplay of album highlight "Insect" is another fantastic example of this, especially in how the guitar line emulates the unsettling keyboard part in the intro. Then there's the singer 'yvind H'geland, who brings an almost operatic quality to the experience with his strongly-layered harmonies and use of power metal-esque vibrato. His work is especially well implemented within the more melodic moments of the record, such as in the main verses of "Excessit" and closer "Fountainhead," but it also serves the more intense moments with the more dramatic and even semi-theatrical elements involved.

Beyond the vocals, however, the real shock of the experience is in just how much emotion and beauty it all contains. The typical progressive metal wankery certainly hasn't gone away (is it ever truly absent), but the difference is in how much of the wankery is necessary in fitting the confines of the band's songwriting. The way every instrument fits into the overall product ensures that everyone in the band is essential to how the music plays out, and there's not much genuine musical excess to be heard. "Insect," "Spinning," "Conjuring Collapse," and "Fountainhead" in particular feature some amazingly tight playing and wonderful chemistry, while songs such as "Cloud Constructor" and "Adaptability" allow the musicians to stretch their talents over more expansive arrangements. "Cloud Constructor" is definitely one of the standouts on the album because of this, featuring a slower and more sprawling sound along with beautifully harmonized guitars from Steinar Gundersen and Kaj Gornitzka aside often subdued vocals. It even has a few instances of *gasp* 4/4 time! Believe me, it's pretty surprising when considering the rest of the album. "Occam's Razor" is another instance of breathing room on the record, a slow interlude featuring H'geland's synthesizer work to a greater degree while Sean Malone (of Cynic) plays a neat little chapman stick solo near the end. But the more emotional elements of the album even make it to the most technical sections; in fact, there's both a sense of chaos and even what sounds like a sense of impending doom in both the lyrics and the atmosphere. This is especially displayed in moments like the unsettling chugging breakdowns of "Insect" or the slow moments of "Cloud Constructor," the latter displaying a lot of bleakness in its subject matter as well. Finally, I have to mention the amazing talents of bassist Lars K. Norberg and drummer Asgeir Mickelson, who are perhaps the most impressive musicians on this thing. Norberg is especially phenomenal: he just rips through bass lines at speeds I've rarely heard in metal, and his level of precision in the process is just ridiculous.

A Sceptic's Universe, to me, is the route that more progressive metal artists should go in making a record. It's extremely technically impressive, atmospheric, emotional, has plenty of time for thought and intrigue, and is all brought together by quite an underrated frontman (who was also in Arcturus, I might add). The album might occasionally lack in terms of variety, but it's a small price to pay for one of progressive metal's more underrated and overlooked modern gems. If you can handle the ridiculous technicality, you really should try A Sceptic's Universe; it's a near-perfect mix of complexity, atmosphere, and emotion.

(Originally published on Sputnikmusic)

This ugly duckling of an album is often labeled technicality for technicality's sake. This is certainly highly technical speed/jazz-influenced metal, at first listen chaotic and indistinguishable, with all instruments seemingly playing in parallel (skeptic) universes. But at the same time is not the most extreme example of tech metal I've heard (for inhumanely fast but pointless mess check the Behold... the Arctopus). While playing unconventionally, they still try to contain themselves within a proper song, lyrical and vocal format, with breathing spaces and classical soloing (the very upfront bass is a standout). At the tenth listen some of this even becomes kind of catchy. This album seems to enjoy a love/hate relationship among prog fans, but just to give a perspective - in Russia, with its very skeptical attitude towards prog metal - just read the reviews - this enjoys nearly universal (not skeptic!) praise.

The third Watchtower album! Except by a completely unrelated band!

While progressive metal had its origins in the 80s with bands like Queensryche, Fates Warning and Dream Theater bringing the fledgling metal style a greater audience, the true honor goes to the Texas based Watchtower who with their "King Crimson effect" pioneered a release that many consider the very first progressive metal album "Energetic Disassembly" all the way back in 1985. Although very few were listening, they would skip a few grades in the world of complexity just when metal was just becoming popular in the mainstream. While the style would evolve and splinter as new metal sub-genera were springing forth, very few if any bands would emulate the unique technically demanding assault of sizzling metal freneticism geeked out in more jazz infused compositional constructs at least when accompanied by high pitched vocals.

While Watchtower would release two amazingly brilliant albums during the brief run in the 80s, unfortunately very few were listening since they were well ahead of the pack and the overall public was just getting accustomed to the nascent thrash, death and black metal genres, however the techniques involved didn't go unnoticed by musicians themselves. As the 90s saw a huge evolutionary development in the metal universe, the technical aspects that had debuted with Watchtower ended up being used in the newer styles especially in the rich fertile fields of death metal which would soon develop its own technical strain of complexity. While bands like Dream Theater were more akin to symphonic prog of the 70s with more metal aspects, bands like Cynic, Voivod, Atheist, Pestilence and Death would adopt many of these jazzified technical aspects of Watchtower and run away with it.

Far away in Norway, a band called SPIRAL ARCHITECT was born when guitarist Steiner Gundersen hooked up with the remains of the band Anesthesia which included the members Kaj Gornitzka (guitar), Lars K. Norberg (bass) and Asgeir Mickelson (drums). This team of seasoned veterans had a mission and that was to recreate the progressive metal magic that occurred with a very few bands that exercised technical chops in the more traditional 80s metal style in the vein of not only Watchtower but Fates Warning and Psychotic Waltz without resorting to adopting the snarling death growls that the technical metal universe had been gravitating towards since the early 90s. While formed in 1995, it would take the band five whole years to craft their one and only album A SCEPTIC'S UNIVERSE which married the technical finger busting wizardry with the passionately delivered emotional intensity of the classics of 80s metal.

A SCEPTIC'S UNIVERSE offers both a sense of familiarity as well as stunning new mind-blowing displays of technical metal profusion where no compromise is the name of the game however the band's primary focus isn't to blow away the audience (although that does occur) but rather craft cleverly complexly constructed compositions that revolve around rather accessible melodic developments. Much like Cynic and Death, SPIRAL ARCHITECT finds the right melodic grooves to riff around and then simply offers a multitude of progressive variations that include everything from tempo shifts and bizarre dynamic changes to time signature rich angularities. With a firm grasp on not only metal sensibilities, the band incorporate the wide array of jazz influences into the mix with allows an amazing dexterity in polyrhythms and contrapuntal gymnastics that leave the listener bedazzled in disbelief.

With a keen sense of guitar riffage that would prove to be influential for death metal hybrids like Necrophagist and a keen sense of traditional power metal from the likes of Crimson Glory, SPIRAL ARCHITECT is like the ultimate tech infused tribute band that not only nails all the head-spinning technical workouts like pros but also seamlessly evoke many of the greats that led up the turn of the millennium when this was released. A SCEPTIC'S UNIVERSE is one of those albums that is literally flawless but yet seems a little too derivative in its blatant rampage through the Watchtower meets Psychotic Waltz meets Fates Warning worship. While the impeccable juggling act of emotional fortitude, instrumental prowess and atmospheric embellishments warrant a 5 star rating, the fact is that this band merely took what was already presented by their influence and exaggerated everything substantially and while a completely satisfying listen in the end, still leaves a slightly bad taste in my mouth because i really want this to be a new Watchtower album which is what it sounds like.

While technically this technical band from Montreal, Quebec is still in existence, the reality is that in their two decade plus existence, they have only released this sole album and most members are involved in completely non-related projects mostly existing in the black metal realm, however for those who completely despise death growls for vocals and in the process are completely shut out of the magnificent wealth of technical death metal bands that exist in the 21st century, this will be an album that satisfies on many, many levels and if it weren't for the exaggerated Starcastle effect (the band that cloned progressive rock Yes' early works), i'd be on board for declaring this a bona fide masterpiece and if it actually were the third Watchtower release or the next chapter of Psychotic Waltz or even a blip on the Fates Warning canon, i would indeed but i do subtract points for being too blatantly inspired. Still though, impressive album that must be heard by any fan of progressive metal's top tier albums.

Spiral Architect stand alone at the peak of tech-metal's mountain. While many criticize this release for being just an excuse to show off the musician's chops, the truth is, in my eyes anyway, that the complexity creates it's own atmosphere. It's like the best science fiction that just challenges what one knows and understands and thrusts the imagination far beyond the typical. Not every band needs to be catchy and Spiral Architect certainly isn't. Haegland's vocal lines are damn near as angular as the avant-jazz-fusion architecture as the rest of the band. But I asked myself, if I were a singer and I got a tape with this music, how would I put vocals to it? The feel here is all quantuum mechanical mysticism. It reminds me of the roots of Jazz-Fusion. Which came first, the music? Or was it the galactic feel of Return to Forever, the Eastern mysticism of Mahavishnu Orchestra. Do the concepts drive the writing process, or do you try to find concepts that line up with the crazed musical output?