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Rush - Distant Early Warning CD (album) cover

DISTANT EARLY WARNING

Rush

 

Heavy Prog

3.56 | 36 ratings

From Progarchives.com, the ultimate progressive rock music website

AtomicCrimsonRush
Special Collaborator
Symphonic Team
2 stars This single has one of the best Rush picture sleeves with a rather handsome black and white promo shot, way better than the usual picture sleeve to date. The music itself is outstanding, with two gems taken from "Grace Under Pressure". The first track 'Distant early warning' signifies the new approach to the Rush sound. Lifeson's guitar is layered with effects, lots of delay and echo, and the synthesizers are predominant from Lee. His vocals are layered at times but never imposing from the music. Peart really tends to hold back, without notable breaks but his drumming is consistent and effective. The lyrics changed too. Nothing to do with Greek gods, trees or Snow Dogs, instead songs about survival, protagonists in danger, and machines or techno phobia. I love the chorus; "The world weighs on my shoulders, But what am I to do? You sometimes drive me crazy, But I worry about you, I know it makes no difference, To what you're going through, But I see the tip of the iceberg And I worry about you..."

'Between the wheels' begins with staccato keyboard playing that creates a tense atmosphere. The disjointed rhythm works well as Lee sings the estranged lyrics; "You know how that rabbit feels, Going under your speeding wheels, Bright images flashing by, Like windshields towards a fly, Frozen in the fatal climb, But the wheels of time Just pass you by, Wheels can take you around, Wheels can cut you down, We can go from boom to bust, From dreams to a bowl of dust, We can fall from rockets' red glare, Down to "Brother can you spare...", Another war Another wasteland And another lost generation." The track has a solid powerful attack of synths and guitar throughout but the real feature is the instrumental break that launches into a brilliant lead break. The guitar squeals and presents harmonious parts of the melody in a unique style. The staccato synth returns after the next chorus, and Lifeson plays new variations of the main motif, making his guitar scream and dive. A highlight of the album make no mistake. Grab this single if you see it with the picture sleeve, Rush collectors.

AtomicCrimsonRush | 2/5 |

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