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Steven Wilson - To The Bone CD (album) cover

TO THE BONE

Steven Wilson

 

Crossover Prog

3.65 | 271 ratings

From Progarchives.com, the ultimate progressive rock music website

Mellotron Storm
Prog Reviewer
3 stars Nothing like a little controversy to draw some attention to yourself. Steven announces his new album and how it's in the poppier mode and well let the discussions begin, as they have. The album cover is so immature and I'm not sure of the reason for that other than it's more controversy. Lots to like though over the one hour of music here, and much of it sounds familiar reminding me of PORCUPINE TREE and past Wilson solo albums. It does feel like a re-hash of sorts but there's some new ideas here as well but unfortunately they don't save this album for me.

"To The Bone" opens with spoken female words giving us Steven's kool-aid. It suddenly turns powerful with plenty of atmosphere and harmonica too. It becomes more open sounding when the vocals arrive a minute in. It picks up as the vocals continue. Lots of beats in this one and an extended guitar solo during the instrumental section. It's okay. "Nowhere Now" has reserved vocals and piano before it turns powerful a minute in, then it picks up with vocals. Catchy stuff.

"Pariah" is easily my favourite thanks to Ninet Hayeb's gorgeous and moving vocals. And that's the thing with this song it really moves me. "The Same Asylum As Before" has these expressive guitar melodies and a beat as these really high pitched vocals from Steven arrive(haha). When he sings normally this song turns into something that's really good. Like something off of "Stupid Dream" or "Lightbulb Sun". I like when it turns powerful before 2 1/2 minutes. Back to the chorus 4 minutes in before kicking back hard late.

"Refuge" opens with piano and fragile vocals. There's those high pitched vocals Steven seems intent on doing on this album. Yikes! I like when it kicks into gear following this and check out the harmonica too. followed by a guitar solo. Reserved vocals and piano end it. "Permanating" is my least favourite song by far. A catchy beat with drums, piano and mono-toned vocals. When it kicks in Steven uses his newly found high voice. And this does not work here at all.

"Blank Tapes" is a short laid back piece that's pretty good. "People Who Eat Darkness" reminds me too much of "Arriving Somewhere But Not Here" once it kicks in after the "F" bomb in the intro. Yes this sounds amazing but it's too familiar. "Song Of I" has percussion and a dark mood as reserved vocals join in. An electronic vibe to this one, lots of atmosphere halfway through. Some ethreal female vocal melodies later.

"Detonation" is the longest track at almost 9 1/2 minutes but it's far from the best track. Electronics as relaxed vocals join in with plenty of atmosphere. It kicks in surprisingly hard before 2 1/2 minutes. The vocals return as it stays uptempo. Some nice guitar after 7 1/2 minutes during the catchy instrumental section. "Song Of Unborn" is the mellow closer in the Steven Wilson tradition and it's one of my favourites from the album. The chorus is beautiful with vocals, piano, a beat and atmosphere. It does turn more powerful which I really enjoy.

A good album but there's too many things that I don't enjoy to offer up that fourth star.

Mellotron Storm | 3/5 |

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