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Cluster - Cluster CD (album) cover

CLUSTER

Cluster

 

Krautrock

3.95 | 72 ratings

From Progarchives.com, the ultimate progressive rock music website

siLLy puPPy
5 stars Although they are often lumped into the world of Krautrock, CLUSTER really belongs in the world of progressive experimental electronic music. At least the first few albums that i have heard because there is really no elements of rock on board here and this is more in line with the Berlin School world of Klaus Schulze and Tangerine Dream than with the Krautrock world of Can and Amon Dl II that emphasizes the rock. However, the term "Krautrock" is a nebulous one and connotes a sense of otherworldliness and trippiness above all else so nomenclature aside this is one of the MOST surreal and psychedelic releases i have ever heard. Even beginning with the second album "Cluster II," this duo begins to tone things down a bit on the surreal scale and concentrates more on the melodic rather than the abstract, but on this debut release, officially an eponymous title which has been given the nickname CLUSTER 71, there is unrestrained abstractness that seemingly takes you to the far reaches of the universe and back. This is also the only album i can recall that has three sprawling tracks where the titles of the tracks are the same as their time durations: 7:42, 15:43, 21:32.

This duo actually began under the moniker Kluster which included Conrad Schnitzler as the third member. The group was short-lived releasing only 2 studio albums and 1 live in 1970-71. Schnitzler would go on to have a prolific solo career but was also involved in all of the following: Berlin Express, Con-Hertz, Eruption, Feedback, Conrad Schnitzler & Bjrn Hatterud, CS & Wolf Sequenza and even Tangerine Dream. That left the duo of Moebius (also in Cosmic Couriers, Harmonia, Liliental, Moebius & Plank, Space Explosion, Project Undark) and Hans-Joachim Roeelius (also in Aquarello, A.R.S.(e), Harmonia, Human Being, Lunz and the continuation of this group Qluster). This debut album also includes a third member Konrad Plank on electronics, effects and also as a producer. He would go on many projects including Can, Eno, Eurythmics, Neu! and even the Scorpions and more.

This is very strange abstract music. Personally i feel like i've entered the quantum world when i listen to this. I feel like a little stray electron that has been displaced from its parent atom and am traveling through into the extreme microscopic in a place where space and time have totally different properties. In a way, what comes to mind is that i feel like i am a tiny particle bombarded through the Large Hadron Collider (LHC) near Geneva, Switzerland and my experience is meeting my fellow inhabitants of the quantum world and the musical equivalent of their frequencies and universal vibrations. While there is a basic drone ambience that is in play for most of this sonic experience, the different sounds that accompany this make me feel like i'm saying "hey there" lepton, "wassup z boson?" and "how's it goin', quark?" While listening to this it makes you wonder how in the world did they achieve these sounds in 1971.

This was a clear evolution from the proto-industrial sounds of Kluster. These sounds were not created on keyboards. They utilized the sounds of organs, Hawaiian guitar, cello and used audio generators as well played by Moebius and Roedelius and then the final ingredient was Conrad Plank electronic manipulation to tweak and distort the sounds to create the bizarre sonic worlds that they achieved. Truly light years ahead of the competition in the trippiness department. CLUSTER was taking music freaks into strange new worlds that could never have been foreseen a mere ten years earlier before even The Beatles made a dent into the musical world displaying just how far music had evolved in an ever so short period of history. Blows my mind. I personally find this to be my favorite CLUSTER album. This is uncompromising in every way.

siLLy puPPy | 5/5 |

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