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Curved Air - North Star CD (album) cover

NORTH STAR

Curved Air

 

Eclectic Prog

3.34 | 49 ratings

From Progarchives.com, the ultimate progressive rock music website

Matti
Prog Reviewer
3 stars Only the 4th review of this album! CURVED AIR's halcyon days were the early 70's. Playing prog with lots of classical elements, featuring a sexy vocalist Sonja Kristina and two classically trained musicians, violinist Darryl Way and keyboardist-guitarist Francis Monkman, they were important in the British prog scene but never shared the popularity of the major acts. Gradually their albums (amidst continuous changes in the line-up) became weaker and weaker. 24 years since their preceding studio album Love Child (1990) this new release is an unexpected surprise. Surely not an object of enthusiasm and high hopes like the new YES album, but the easier it is to be positively surprised at the high level.

As all the other reviewers have rated this with four stars, I'm rounding my 3½ stars down for balance. The sound is very good (especially the violin by Paul Sax is absolutely delicious), and with as many as 14 tracks - and over 70 minutes of music! - there are many that are really enjoyable. One highlight is 'Time Games' which has an energetic fusion spirit. Also 'Magnetism' has a charming, personal identity. Some songs are recycled; 'Puppets' and 'Situations' originate from Curved Air's classic era and their new versions are good enough to justify their making. 'Spirits in the Material World' is originally by THE POLICE (from Ghost in the Machine, 1981). I personally prefer the fast-tempo original, but it's respectable how Sonja & Co. have made a notably different, much slower version. The album closes with a dreamy, beautiful version of the BEATLES classic 'Across the Universe'.

I hate to point this out but the age clearly shows in Sonja Kristina's voice. This is definitely not a problem, as the musical performance seems to come first. One of the weakest tracks to me is 'Colder Than a Rose in Snow', a serene and romantic ballad, maybe because the vocals in it are more central than on the album in general. There are some other not-so-interesting compositions, but all in all this is a very positive surprise indeed. Worth hearing for any listener of female-fronted prog with classical and fusion elements, and a must for fans of the group.

Matti | 3/5 |

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